Traditional pants VS wide-leg and pleated contemporary styles:Which one is the ultimate expression of current fashion?
Traditional pants VS wide-leg and pleated contemporary styles:Which one is the ultimate expression of current fashion? Traditional pants VS wide-leg and pleated contemporary styles:Which one is the ultimate expression of current fashion?
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Frozen Lake and Cliffs, Sierra Nevada, California

Frozen Lake and Cliffs, Sierra Nevada, California

$ 58.96

$ 76.65

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Size:
  • 14 x 17 (36.83 x 44.45 cm) image 22 x 28 (55.88 x 71.12 cm) board
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Product Details

  • Artwork Info
  • About the Artist
  • 1932
    Gelatin silver print mounted to 4-ply rag board
    Signed, in pencil, au mount recto
    Titled and dated, with artist stamp, in ink, au mount verso
    Printed in 1978
    Unframed

  • Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed in exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography.

    Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra Club. He was later contracted with the United States Department of the Interior to make photographs of national parks. For his work and his persistent advocacy, which helped expand the National Park system, he was awarded the Presidential Medal of Freedom in 1980.

    Adams was a key advisor in establishing the photography department at the Museum of Modern Art in New York, an important landmark in securing photography's institutional legitimacy. He helped to stage that department's first photography exhibition, helped found the photography magazine Aperture, and co-founded the Center for Creative Photography at the University of Arizona.

    Source:

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